Celebrated Zambian guitarist and bandleader Paul Ngozi's 1977 concept album about the struggles of those living in Africa's townships. LP includes oversized 8p. booklet detailing Ngozi’s arc, rare photographs, discography and annotations. Released under license from the Estate of Paul Nyirongo.
“Zambia's Zamrock movement that exploded in the 1970s ... provided young musicians access to European and American music, and created a unique sound. At its root, Zamrock melded fuzz-toned psychedelia, chugging garage rock and roiling funk with a broad mix of African cadences and beats.... enlivening a scene that included bands like Musi O Tunya, Amanaz and the Ngozi Family.” — The New York Times
Zamrock was a bona-fide rock scene, with albums released through independent labels based in Zambia. This music scene was complete, encompassing the genres of rock, acid folk, fusion, Afro-beat, South African jazz and traditional Zambian melodies. It quickly became a uniquely Zambian movement, befitting of its name. WITCH, Paul Ngozi and Amanaz sound nothing like other rock music from the African continent or elsewhere. 
Now-Again has been reissuing the essential records from the Zamrock scene for going on 15 years. The Ghetto is part of an extensive campaign centered around Paul Ngozi and his band and is preceded by Day of Judgement and 45,000 Volts.

Tracklist:
A1 In The Ghetto
A2 Help Me
A3 Anasoni
A4 Who Will Know
B1 Suicide
B2 Bamayo
B3 Can't You Hear Me
B4 Ulesi Tileke
B5 Jesus Christ